Refuge III

Rog Girards abstract paintings emerge from an intuitive process rooted in gesture, energy, and the bodys memory. Drawing inspiration from Automatism, he privileges impulse and spontaneity as a way to bypass rational thought, allowing each canvas to become a dynamic field where chaos and harmony, control and freedom, meet in tension. His practice is guided by a search for a gesture that feels vivid and instinctive, carrying with it a trace of truth and an inner connection. In this way, Girards work exists as both a record of movement and a meditation on the silent struggle between structure and release.

Though resolutely abstract, his paintings often evoke the presence of landscapes and natural fragments. Through washes, broad strokes, rubbings, and sudden touches, he conjures spaces that are less depicted than felt echoes of forests, marshes, shorelines, or paths that emerge through rhythm, texture, and color. Each painting becomes a mental territory, a site of inner and outer wandering where perception drifts away from recognition and toward sensation. In this wandering, Girard creates an essential dialogue between the intimate and the universal, the momentary and the enduring.